Anthologies

A true essay is "something hazarded, not definitive, not authoritative; something ventured on the basis of the author's personal experience and subjectivity," writes guest editor Jonathan Franzen in his introduction. However, his main criterion for selecting The Best American Essays 2016 was, in a word, risk. Whether the risks involved championing an unpopular opinion, the possibility of ruining a professional career, or irrevocably offending family, for Franzen, "the writer has to be like the firefighter, whose job, while everyone else is fleeing the flames, is to run straight into them."

The Best American Essays 2016 includes ALEXANDER CHEE, PAUL CRENSHAW, JAQUIRA DÍAZ, LAURA KIPNIS, AMITAVA KUMAR, SEBASTIAN JUNGER,
JOYCE CAROL OATES, OLIVER SACKS, THOMAS CHATTERTON WILLIAMS and others

JONATHAN FRANZEN, guest editor, is the author of five novels, most recently Purity, and five works of nonfiction and translation, including Farther Away and The Kraus Project. He is a member of the American Academy of Arts and Letters, the German Akademie der Künste, and the French Ordre des Arts et des Lettres.

ROBERT ATWAN, the series editor of The Best American Essays since its inception in 1986, has published on a wide variety of subjects, from American advertising and early photography to ancient divination and Shakespeare. His criticism, essays, humor, poetry, and fiction have appeared in numerous periodicals nationwide.

"The literary 'Oscars' features twenty outstanding examples of the best of the best in American short stories." --Shelf Awareness for Readers

The Best American Short Stories 2016 will be selected by Pulitzer Prize winner Junot Díaz. He brings "one of the most distinctive and magnetic voices in contemporary fiction: limber, streetwise, caffeinated and wonderfully eclectic" (Michiko Kakutani, The New York Times) to the collection.

Edgar Award-winning editor Otto Penzler's latest anthology takes its inspiration from the historical enigma whose name has become synonymous with fear: Jack the Ripper.

Of the real-life serial killers whose gruesome acts have been splashed across headlines, none has reached the mythical status of Jack the Ripper. In the Ripper's wake, terror swept through the streets of London's East End in the fall of 1888. As quickly as his nightmarish reign came, Saucy Jack vanished without a trace--leaving future generations to speculate upon his identity and whereabouts. He was diabolical in a way never seen before--a killer who taunted the police, came up with his own legendary monikers, and, ultimately, got away with his heinous crimes.

More than a century later, the man "from hell" continues to live on in the imaginations of readers everywhere--and in some of the most spec-tacularly unnerving stories, both fiction and nonfiction, ever written. The Big Book of Jack the Ripper immerses you in the utterly chilling world of Red Jack's London, where his unprecedented evil still lurks.

Including:
- Legendary stories by Marie Belloc Lowndes, Robert Bloch, and Ellery Queen
- Captivating essays from George Bernard Shaw, Stephen Hunter, and Peter Underwood
- Riveting new stories by contemporary masters Jeffrey Deaver, Loren D. Estleman, Lyndsay Faye, and many more
- Astonishing theories from the world's foremost Ripperologists

From the Ripper Vault:
- Demonic letters from Jack himself
- Gruesome postmortem exams documenting all the bits and pieces of the cases
- Harrowing witness statements taken on those hellish nights
- Breaking newspaper accounts of the East End hysteria

George Orwell was first and foremost an essayist, producing throughout his life an extraordinary array of short nonfiction that reflected--and illuminated--the fraught times in which he lived. "As soon as he began to write something," comments George Packer in his foreword, "it was as natural for Orwell to propose, generalize, qualify, argue, judge--in short, to think--as it was for Yeats to versify or Dickens to invent."

Facing Unpleasant Facts charts Orwell's development as a master of the narrative-essay form and unites such classics as "Shooting an Elephant" with lesser-known journalism and passages from his wartime diary. Whether detailing the horrors of Orwell's boyhood in an English boarding school or bringing to life the sights, sounds, and smells of the Spanish Civil War, these essays weave together the personal and the political in an unmistakable style that is at once plainspoken and brilliantly complex.